Elizabeth Rodriguez Fielder

Academic Writing

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  • “Toni Cade Bambara’s Literary Activism in Atlanta.” Studies in the Literary Imagination 55.1 & 2, 2024, pp. 5-28.
  • “Labor of Love: Documentary as Carework in Madeline Anderson’s I Am Somebody (1970)” forthcoming in Record, Document, Archive: Constructing the South Out of Region, LSU Press, 2025.
  • “Activism (Spotlight: Toni Cade Bambara)” in The Routledge Companion to the Literature of the U.S. South, Katharine A. Burnett, Todd Hagstette, Monica Carol Miller, eds,2022, pp. 270-274.
  •  “Stowaway Stories and Mythological Realism in Yuri Herrera’s Signs Preceding the End of the World and Mohsin Hamid’s Exit West” in Crossings: The Journal of Migration and Culture. Volume 12.1, 2021, pp. 331-346.
  • “Cultural Activism and Theater of the Civil Rights Movement” in The Cambridge History of the Literature of the U.S. South, Harilaos Stecopoulos, ed., 2021, pp. 328-341.
  • “Designing Latinidad: Circum-Gulf South Migration and Contemporary Gentrification in Ybor City” The Global South, Vol. 12, No. 1, Caribbean Transmigration in the Twenty-First Century: Contemporary Reimaginings and Globalizing Conditions, 2018,pp. 89- 111.
  • “The Activist Turn in American Studies: A Pragmatic Response from the South.” PMLA 131.1, 2016, pp. 170-81.
  • “A ‘litany seeking a text’: The Specter of Conjure in the Sub-tropical Southern Gothic.” In Tropical Gothic in Literature: The Americas, edited by Sandra G. T. Vasconcelos and Justin D. Edwards, New York: Routledge, 2016, pp. 56-72.
  • “Broadcasting the Revolution: Radio Free Dixie’s Hemispheric Soundscape” in “Conversations about Place in American Culture:
An International Network Discussion” American Studies in Scandinavia 48.2, 2016, pp. 123-50.
  • “On Strike and On Stage: Migration, Mobilization, and the Cultural Work of El Teatro Campesino.” American Studies in Scandinavia 46.1, 2016, pp. 103-121.
  • “The Performative Funeral and Identity Formation in Go Down, Moses.” In Fifty Years After Faulkner: Faulkner and Yoknapatawpha, edited by Jay Watson and Ann Abadie, Jackson: University of Mississippi Press, 2016, 279-294.
  • “Faulkner’s Deathways: The Race and Space of Mourning.” Undead Souths: Beyond the Gothic edited by Eric Gary Anderson, Taylor Hagood, Daniel Cross Turner. Baton Rouge: Louisiana State University Press, 2015, 100-111.